Laiho, Timo : Perception, Time and Music Analysis: An Introduction to Analytic-Generative Methodology
Perception, Time and Music Analysis: An Introduction to Analytic-Generative Methodology
- Timo Laiho
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Perception, Time and Music Analysis – An Introduction to Analytic-Generative Methodology (AGM) introduces the theoretical principles and analytical concepts of analytic-generative methodology in order to specify the temporal organization of music from a viewpoint of perceptual experience. Regarding this aim the present dissertation offers a descriptive model of cognition based on the temporal interaction of outside and inside structures of cognitive processing. This model endeavours to provide solutions for the problematic mechanisms related to the structural organization between high and low levels of sensory perception (often referred to as a “meaning barrier”), which even from the point of view of present day cognitive science remain unspecified. The presented cognitive model also provides a framework of sub-semiotic studies, which as a broader discipline can be understood as a basis for a more general art-analysis.
The main target of the present approach, however, is music analysis. Key structural features of analysis are connected with the principles of differentiation and analysis of movement. Although the basic research related to AGM reflects a variety of different scientific/philosophic disciplines (i.e. poststructuralist philosophy, linguistics, music analysis, semiotics, modern physics etc.), the theoretical background relies much on the structural aspects of the quantum physicist David Bohm’s theory of implicate order. In this sense the present AGM, referring to concrete, analytic-generative examples of musical organization, offers an interpretative account of Bohm’s influential theory.
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